Recherche dans la collection - Micro_scope inc. fonds [moving images (some electronic)]
-
Hiérarchie 
Micro_scope inc. fonds [moving images (some electronic)]
Niveau hiérarchique :FondsContexte de cette notice : -
Instrument de recherche (Électronique) See the Film, Video, and Sound Database (MISACS) for item level description. (90: Ouvert) -
Notice descriptive Micro_scope inc. fonds [moving images (some electronic)]
Date :2005-2024.Référence :R12279-0-2-EGenre de documents :Images en mouvementTrouvé dans :Archives / Collections et fondsNo d'identification :5093100Date(s) :2005-2024.Équivalent bilingue :Lieu de création :CanadaÉtendue :85 film reels (24 h, 12 min) ; 35 mm.
9 videocassettes (12 h, 14 min) : Digital Betacam.
17 optical discs (28 h, 14 min) : DVD, Blu-ray.
19 Digital Cinema Packages (31 h, 7 min).Langue du document :françaisLangue du document additionnelle :français, anglais, espagnol, arabePortée et contenu :Fonds consists of the feature films titled À tous ceux qui ne me lisent pas; Allure; Familia; Congorama; Continental - un film sans fusil; C'est pas moi, je le jure !; Incendies; En terrains connus; Monsieur Lazhar; Inch' Allah; Gabrielle; Whitewash; Tu dors Nicole (including an English version on 35mm); Endorphine; Guibord s'en va-t-en guerre; Pompéi; My Salinger Year; Memory Box; Les oiseaux ivres; Viking; Saules Aveugles, Femme Endormie (a version in French and a version in English, titled Blind Willow, Sleeping Woman); L'origine du mal; Bergers. Also includes the documentaries Fermières and Les enfants du large. Produced with the participation of Telefilm Canada.Provenance :- Micro_Scope inc
- Créateur : National Film Board of Canada
- Créateur : Haut et Court
- Créateur : Les Productions Unité Centrale
- Créateur : Parallel Films
- Créateur : Tarantula
- Créateur : Good Fortune Films
- Créateur : Abbout Productions
- Créateur : Cinéma Defacto
- Créateur : Miyu Productions
- Créateur : Doghouse Films
- Créateur : Avenue B Productions
- Créateur : Urban Factory
Biographie/Histoire administrative :Micro_Scope inc : Founded in 2002 by producer Luc Déry to which was added Kim McCraw in 2004, Micro_scope is a privately owned film production company. Their mission is to develop inventive and original projects. Since their start, Micro_scope has seen its films acclaimed in the greatest film festivals in the World, such as Cannes (Tiresia, Congorama), Venise (Continental, un film sans fusil), Berlin (A Problem with Fear), Locarno (Familia) and Toronto (A Problem with Fear, Familia, Congorama, Continental - un film sans fusil).
National Film Board of Canada : The creation of the National Film Board had its beginnings in 1938, when Vincent Massey, while on duty as the Canadian High Commissioner to London and his Secretary, Ross McLean, highlighted a need to improve upon the quality of films produced by the Canadian Government Motion Picture Bureau and expand their marketability in England. Subsequently, John Grierson, a British documentary film maker, was appointed to survey and report on the potential of the Canadian film industry. In June 1938, he submitted a report containing recommendations for the establishment of a coordinating body for the Canadian film industry and the need for corresponding legislation to deal with Canadian films. As a result, the National Film Board (NFB) was established on 2 May 1939 by virtue of the National Film Act (SC. 1939, c. 20) with a mandate for federal film activities, and to work in partnership with the Government Motion Picture Bureau. Later that year, John Grierson became the first Government Film Commissioner.
The first year of operation was devoted to production and distribution of films designed to help Canadians understand their realities. It was also involved in the coordination of film-related activities within government departments. In the following year, Canada became increasingly involved in war activities, thus, the National Film Board shifted its focus from Canadian reality themes to the production of patriotic films in support of the war effort. It also expanded its activities by becoming more involved in the creation of animated filmstrips.
In the early 1940's, the operations of the NFB were directly influenced by John Grierson's, the Government Film Commissioner, participation as Director of the Wartime Information Board. Through this position, John Grierson was able to finance the production and distribution of NFB films.
In 1941, the Canadian Government Motion Picture Bureau merged with the NFB by virtue of Orders-in-Council P.C. 3549 (11 June 1941) and P.C. 6047 (8 August 1941). The Canadian Government Motion Picture Bureau which had been established as early as 1914, stemmed from the Department of Trade and Commerce's Exhibits and Publicity Bureau and reported to Parliament through the Minister of Trade and Commerce,. Through this merger, the National Film Board became responsible for the production of still and motion pictures. By 1943, the National Film Board expanded it services by opening offices in London, Chicago and New York.
In the late 1940's, John Grierson was replaced by Ross McLean as the Acting Government Film Commissioner. This change in management, altered the course of NFB by expanding its program activities to include the production of newsreels, animation and filmstrips. The NFB also accommodated the need for French-language perspectives within the Canadian film industry. By 1948, the NFB had restructured its studio activities with specializations in agriculture; French and foreign languages; interpretative materials; theatrical; tourism; animation; scientific, cultural and international affairs.
In October 1950, a new National Film Act (SC 1950, c. 44) was passed and later revised (RSC, 1952, ch. 185), replacing the earlier National Film Act of 1939. The need for a new National Film Act was born out of the anticipated need to become more involved in the development of television programs. Thus, the new Act authorized the NFB to become more involved in the promotion and distribution of films with a national interest. It was now the responsibility of a single minister; with nine board members representing regions from across Canada. Four of those members, including the Film Commissioner represented the public service, the remaining members represented private interests. In 1953, the NFB began reporting to Parliament through the Minister of Citizenship and Immigration.
Between 1955-1957, NFB film activities were kept to a minimum within the Province of Quebec's Duplessis government. The political environment, kindled by the French press, steered the course for the appointment of Guy Roberge as the NFB Board of Governnor's Francophone Deputy Commissioner. While the NFB head office was situated in Ottawa, the operational headquarters moved to the Montreal region.
By 1963, the NFB was becoming more autonomous and gaining recognition on an international basis. Ministerial responsibility for NFB was transferred from the Department of Citizenship and Immigration to the Department of Secretary of State.
In the following year, the NFB structured its activities according to French and English production activities. In 1965, the NFB took on the full regionalization of its activities with the private sector becoming more involved in the production of films. The still photography division, based in Ottawa, endured a name change to the Canadian Government Photo Centre.
In 1970, the 1950 National Film Act was once again repealed and replaced by the National Film Act (RSC, 1970, c. N-7). The revisions to the National Film Act were necessary to reflect changes to the NFB mandate. The new mandate allowed for greater participation by private-sector filmmakers and increased regionalization. In 1976, the NFB developed its first five-year plan.
In 1979, the NFB was designated as a federal department under the terms of the Financial Administration Act (OIC P.C. 1952-1903, 31 March 1952), however, appropriation of funds were administered by the Department of Secretary of State.
In 1980, upon a review of the NFB mandate, the Board of Trustees assented to some major changes within the NFB mandate. Shortly thereafter, a Federal Cultural Policy Review Committee reviewed and released their report on the NFB organization. The Committee's report, known as the Applebaum-Hébert report, recommended that the NFB limit its film production and distribution activities, and focus on research and training. Consequently, the private sector would play a larger part in the production of films, where the NFB would oversee the production of films by private and student filmmakers.
In 1984, the Minister of Communications released a National Film and Video Policy which affected the NFB by expanding on its mandate. The National Film and Video Policy, developed under the authority of Francis Fox, suggested that the NFB would have a pivotal role in the production of both films and videos, and more importantly, that it would become a national research and training centre for this type of media.
In 1985, the National Film Act (R.S.C. 1985, c. N-8) was revised to reflect the NFB focus on production and working more closely with the private sector. It also established the NFB as a learning centre for filmmakers.
Since 1992, the NFB has been reporting to the Minister of Canadian Heritage. The NFB continues to produce films, videos and other audiovisual works that broadly reflect Canadian social and cultural themes. The activities of the English and French Programs, which handle production for both respective audiences, are assisted by several other branches including: Services and Technological Development, Communications and Distribution Services, Administration, International Program, Planning, Program Evaluation and Audit, and Human Resources. The NFB offices are located in Montreal, Vancouver, Edmonton, Winnipeg, Toronto, Moncton, and Halifax.
Haut et Court : Company incorporated in France to produce audio-visual programs for the entertainment industry.
Les Productions Unité Centrale : Les Productions Unité Centrale is a privately owned Canadian production company based in Montréal, Québec. It was founded in 2005 by producers Galilé Marion-Gauvin, Marcel Jean and Dominique Noujeim. Their productions include the fiction feature Arwad.
Parallel Films : Parallel Films is an Irish film and television production company based in Dublin, Ireland. It was founded in 1993. Its productions include the feature films Triage, Perrier's Bounty, and Sweetness in the Belly, and the television series The Clinic.
Tarantula : Tarantula is a film production company with branches in Belgium and Luxembourg. Its productions include the feature films Private Property, Carré Blanc, and Pompéi.
Good Fortune Films : Good Fortune Films is a French film production company based in Paris, France. Its productions include the feature films Hannah, The Benefit of Doubt, and Pompéi.
Abbout Productions : Abbout Productions is a film production company based in Beirut, Lebanon. It was founded in 1998 by filmmakers Joana Hadjithomas and Khalil Joreige. Its productions include the fiction feature Memory Box.
Cinéma Defacto : Cinéma Defacto is a film production company based in Paris, France. It was founded in 2007, and its productions include the animated fiction feature Saules aveugles, femme endormie (Blind Willow, Sleeping Woman).
Miyu Productions : Miyu Productions is an audiovisual production company founded by Emmanuel-Alain Raynal in 2009, specializing in the production of animated short films, feature films and series. It is based in Paris, France, and its productions include the animated fiction feature Saules aveugles, femme endormie (Blind Willow, Sleeping Woman).
Doghouse Films : Doghouse Films is an audiovisual production company founded by David Mouraire and Pierre Urbain in 2012, specializing in animation. It is based in Luxembourg, and its productions include the animated fiction feature Saules aveugles, femme endormie (Blind Willow, Sleeping Woman).
Avenue B Productions : Avenue B Productions is a film production company based in Paris, France. Its productions include the fiction feature L'origine du mal.
Urban Factory : Urban Factory is a privately owned film production company based in Paris, France. It was founded in 2011 by producer Frédéric Corvez. Its productions include the fiction feature If Only I Could Hibernate.Source :PrivéAutre no d'acquisition :2006-0075 VSA
2007-0160 VSA
2008-0066 VSA
2011-0011 VSA
2011-0075 VSA
2013-0030 VSA
2013-0037 VSA
2014-0012 VSA
2014-0028 VSA
2015-0038 VSA
2017-0062 VSA
2018-0064 VSA
2020-0049 VSA
2021-0012 VSA
2021-0061 VSA
2022-0081 VSA
2022-0082 VSA
2023-0031 VSA
2024-0164 VSA
2024-0190 VSA -
Pour réserver ou commander des documents Conditions d'accès :Images en mouvement (film)[Consultation Ouvert]No de pièce audio-visuelle attribué par BAC [R12279][Consultation Ouvert]10643AV--10652AV;[Consultation Ouvert]108AV--112AV;[Consultation Ouvert]30170AV--30174AV;[Consultation Ouvert]581AV--585AV;[Consultation Ouvert]6924AV--6937AV;[Consultation Ouvert]8299AV--8308AV;[Consultation Ouvert]Images en mouvement (vidéo)[Consultation Ouvert]No de pièce audio-visuelle attribué par BAC [R12279][Consultation Ouvert]10975AV--10976AV;[Consultation Ouvert]15852AV--15854AV;[Consultation Ouvert]165AV;[Consultation Ouvert]171AV;[Consultation Ouvert]18823AV;[Consultation Ouvert]18841AV;[Consultation Ouvert]25930AV;[Consultation Ouvert]29629AV;[Consultation Ouvert]38193AV;[Consultation Ouvert]42781AV;[Consultation Ouvert]50770AV;[Consultation Ouvert]6796AV--6798AV;[Consultation Ouvert]8058AV--8059AV;[Consultation Ouvert]Images en mouvement (film): électronique[Consultation Ouvert]Images en mouvement (vidéo): électronique[Consultation Ouvert]No de pièce audio-visuelle attribué par BAC [R12279] 52385AV[Consultation Ouvert]Modalités d'utilisation :With written permission of copyright owner. No donor restrictions.Vous pouvez réserver des documents à l'avance pour qu'ils soient disponibles lors de votre visite. Vous aurez besoin d'une carte utilisateur pour ce faire.
Vous ne pouvez pas nous rendre visite ? Vous pouvez acheter une reproduction qui vous sera envoyée. Certaines restrictions peuvent s'appliquer.
Event
Elapsed time (mm:ss,...)
QueryString parameter Parsing
00:00.00
Load Record model
00:00.02
Load record XML - Archives|FonAndCol
00:00.01
Load record fields from record XML
00:00.00
Load record ecopies from the DB
00:00.00
Load KWIC from Search API
00:00.00
Load previous / next record ids from the result list
00:00.00
Save record stats
00:00.00
Load Record display view
00:00.01