Audrey Thomas fonds [textual record (some electronic), graphic material, sound recording]
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Audrey Thomas fonds [textual record (some electronic), graphic material, sound recording]
Niveau hiérarchique :FondsContexte de cette notice :Fonds comprend :1 description(s) de niveau inférieurVoir description(s) de niveau inférieur -
Instrument de recherche Textual records (some electronic); graphic material; sound recordings (Papier) Finding aid available. Available in reference room. (Limites non établies) -
Notice descriptive Audrey Thomas fonds [textual record (some electronic), graphic material, sound recording]
Date :[ca. 1940]-1999.Référence :R11818-0-0-E, LMS-0153Genre de documents :Art, Documents photographiques, Documents sonores, Documents textuelsTrouvé dans :Archives / Collections et fondsNo d'identification :3673019Date(s) :[ca. 1940]-1999.Lieu de création :Sans lieu, inconnu ou indéterminéÉtendue :19 m of textual records and other material.
2 computer disks of textual records.Langue du document :anglaisPortée et contenu :Fonds includes correspondence; research notes, manuscripts and typescripts for "Ten Green Bottles", "Mrs. Blood", "Songs My Mother Taught Me", "Latakia", "Intertidal Life", "Goodbye Harold, Good Luck", "Graven Images" and "Wild Blue Yonder", as well as, for published and unpublished short stories, radio plays, articles and reviews; documents concerning professional activities; early writings; education and teaching; photographs, posters, audio cassettes, computer diskettes, and memorabilia.Provenance :Biographie/Histoire administrative :Thomas, Audrey, 1935- : Short-story writer and novelist, Audrey Thomas (née Callahan) was born in Binghampton, New York in 1935. She received a B.A. from Smith College in 1957 and a M.A. in English from the University of British Columbia in 1963 where she worked towards a Ph.D. in Anglo-Saxon language and literature. Thomas married sculptor and art teacher, Ian Thomas whom she met during a year abroad at St. Andrew's University in Scotland. They immigrated to Canada in 1959, settled in British Columbia, and had three daughters. The Thomases lived for two years in Ghana where Ian Thomas taught from 1964 to 1966. Following her return to Vancouver, Audrey Thomas published her first collection of stories, "Ten Green Bottles" (1967), and then several novels: "Mrs. Blood" (1970), "Songs My Mother Taught Me" (1973), "Latakia" (1979), and "Real Mothers" (1981), a collection of stories. In her work, Thomas experiments with narrative method and use of language to depict women's sense of emotional alienation, struggling with the dark side of the self, or hovering on the verge of disintegration. Thomas received the Marian Engel Award in 1987 and the Canada-Australia Literary Prize in 1990. She has won the B.C. Book Prize for fiction three times: for her novel "Intertidal Life" (1985), the short story collection "Wild Blue Yonder" (1991), and most recently for the novel "Coming down from Wa" (1995). She was nominated for the Governor General's Literary Award and Commonwealth Literature Prize in 1996. Thomas has taught creative writing at the University of Victoria and at the University of British Columbia and has been writer-in-residence at Concordia University, at Simon Fraser University, among others. Thomas lives on Galiano Island, British Columbia.Information additionnelle :Note sur la description matérielle :Includes: 78 photographs, 4 strips of photographic negative, 1 sheet of contact prints, 2 slides, 5 audio cassettes, 9 posters, postcards and 2 computer disks.Note sur les limites à la consultation :Some restrictions on consultation.
Accessions 1989-03 and 1992-17: Use "access to confidential documents" form.
Within accession 1994-14, the following material has been restricted: Financial records and selected correspondence have been restricted (Box 65); Box 44 - personal correspondence and financial receipts from Audrey Thomas' travels to Africa in 1971; and Box 64 containing correspondence and other records related to Thomas' family. Box 65 RESTRICTED until 25 years after the death of the author.
Accession 2000-02 : correspondence with Anne, Isobel Huggan and Jane Rule (restricted 25 years beyond death of author).Note(s) sur le contenant :CASS 27 : 1989-03
CASS 271 : 1992-17
CASS 272 : 1992-17
CASS 273 : 1994-14
CASS 506 : 2000-02
CASS 507 : 2000-02
CASS 508 : 2000-02
CASS 509 : 2000-02
1 : 1989-03
1 : 2000-02
1 : 1994-14
2 : 1994-14
3 : 1994-14
4 : 1994-14
5 : 1994-14
6 : 1994-14
7 : 1994-14
8 : 1994-14
9 : 1994-14
10 : 1994-14
44 : 1994-14
11 : 1994-14
12 : 1994-14
13 : 1994-14
14 : 1994-14
15 : 1994-14
16 : 1994-14
17 : 1994-14
18 : 1994-14
19 : 1994-14
20 : 1994-14
21 : 1994-14
22 : 1994-14
23 : 1994-14
24 : 1994-14
25 : 1994-14
26 : 1994-14
27 : 1994-14
28 : 1994-14
28 A : 1994-14
29 : 1994-14
30 : 1994-14
31 : 1994-14
32 : 1994-14
33 : 1994-14
34 : 1994-14
35 : 1994-14
36 : 1994-14
37 : 1994-14
38 : 1994-14
39 : 1994-14
40 : 1994-14
41 : 1994-14
42 : 1994-14
43 : 1994-14
45 : 1994-14
46 : 1994-14
47 : 1994-14
48 : 1994-14
49 : 1994-14
50 : 1994-14
51 : 1994-14
52 : 1994-14
53 : 1994-14
54 : 1994-14
55 : 1994-14
58 : 1994-14
59 : 1994-14
60 : 1994-14
61 : 1994-14
62 : 1994-14
63 : 1994-14
64 : 1994-14
66 : 1994-14
1 : 1992-17
2 : 1992-17
3 : 1992-17
4 : 1992-17
5 : 1992-17
6 : 1992-17
7 A : 1992-17
2 : 1989-03
3 : 1989-03
4 : 1989-03
5 : 1989-03
6 : 1989-03
7 : 1989-03
8 : 1989-03
9 : 1989-03
10 : 1989-03
11 : 1989-03
12 : 1989-03
13 : 1989-03
14 : 1989-03
15 : 1989-03
16 : 1989-03
17 : 1989-03
18 : 1989-03
19 : 1989-03
20 : 1989-03
21 : 1989-03
22 : 1989-03
23 : 1989-03
24 : 1989-03
25 : 1989-03
26 : 1989-03
27 : 1989-03
28 : 1989-03
2 : 2000-02
3 : 2000-02
4 : 2000-02
5 : 2000-02
6 : 2000-02
7 : 2000-02
8 : 2000-02
9 : 2000-02
10 : 2000-02
11 : 2000-02
12 : 2000-02
13 : 2000-02
14 : 2000-02
15 : 2000-02
16 : 2000-02
17 : 2000-02
18 : 2000-02
19 : 2000-02
20 : 2000-02
21 : 2000-02
22 : 2000-02
23 : 2000-02
24 : 2000-02
25 : 2000-02
26 : 2000-02
27 : 2000-02
28 : 2000-02
29 : 2000-02
30 : 2000-02
32 : 2000-02
29 : 1989-03
30 : 1989-03
31 : 2000-02
65 : 1994-14
7 B : 1992-17Source :PrivéAncien no de référence archivistique :LMS-0153Autre no d'acquisition :1989-03 LMS
1992-17 LMS
1994-14 LMS
2000-02 LMS -
Pour réserver ou commander des documents Conditions d'accès :Documents iconographiques (art)[Consultation Ouvert]Documents iconographiques (photo)[Consultation Restrictions varient]Documents sonores[Consultation Ouvert]Contenant de la DML [LMS-0153][Consultation Ouvert]CASS 27;[Consultation Ouvert]CASS 271--CASS 273;[Consultation Ouvert]CASS 506--CASS 509;[Consultation Ouvert]Documents textuels[Consultation Restrictions varient]Contenant de la DML [LMS-0153 1989-03] 1[Consultation Restreint]Contenant de la DML [LMS-0153 2000-02] 1[Consultation Restreint]Contenant de la DML [LMS-0153 1994-14][Consultation Restreint]1--10;[Consultation Restreint]44;[Consultation Restreint]Contenant de la DML [LMS-0153 1994-14][Consultation Ouvert]11--43;[Consultation Ouvert]45--55;[Consultation Ouvert]58--64;[Consultation Ouvert]66;[Consultation Ouvert]28 A;[Consultation Ouvert]Contenant de la DML [LMS-0153 1992-17][Consultation Ouvert]1--6;[Consultation Ouvert]7 A;[Consultation Ouvert]Contenant de la DML [LMS-0153 1989-03] 2--28[Consultation Ouvert]Contenant de la DML [LMS-0153 2000-02][Consultation Ouvert]2--30;[Consultation Ouvert]32;[Consultation Ouvert]Contenant de la DML [LMS-0153 1989-03] 29--30[Consultation Fermé pour fins de traitement]Contenant de la DML [LMS-0153 2000-02] 31[Consultation Fermé]Contenant de la DML [LMS-0153 1994-14] 65[Consultation Fermé]Contenant de la DML [LMS-0153 1992-17] 7 B[Consultation Restreint]Documents textuels: électroniques[Consultation Restrictions varient]Modalités d'utilisation :Copyright varies. The recipient of copies is responsible for determining whether material is subject to copyright and whether use of it does or does not constitute an infringement of copyright under the Copyright Act. Credit Library and Archives Canada.Vous pouvez réserver des documents à l'avance pour qu'ils soient disponibles lors de votre visite. Vous aurez besoin d'une carte utilisateur pour ce faire.
Vous ne pouvez pas nous rendre visite ? Vous pouvez acheter une reproduction qui vous sera envoyée. Certaines restrictions peuvent s'appliquer.
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