Fonds consists of prints entitled: "Old Bonsecours Church, Montreal 1845"; "At the foot of Nelson's Monument, Jacques Cartier Square, Montréal"; "The Old Forge (1732)"; "Courtyard of Independent's Palace, Quebec"; "The Citadel, Quebec City from Champlain Market Place"; "Ethan Allen House (Maisonneuve 1775)"; "House of the Congregation de Notre Dame"; "Sulpicians, Notre Dame Street"; "the Seminary, Quebec City"; "Village Baie St. Paul"; "Vauquelin Statue, Neptune Square, Montreal"; "The old mill, Ste. Thérèse"; "Ste. Anne de Beaupré"; "Grey Nunnery, Montreal"; "Old Hudson's Bay Post, Lachine Canal"; "Old Military Quarters, Montreal"; "Historic old farm house on St. Hubert road, near Chambly"; "Old Bonsecours Street"; "The Old Forge, Caughnawaga (1732)"; "The Indian Church, Tadoussac"; "Old House, Lachine Canal, Scene of the Indian Massacre, 1689"; "Old Mills at Baie St. Paul"; "Fort Sault St. Louis, Caughnawaga"; "Old Time Houses at Oka"; side view of the remnants of Fort Senneville; Blockhouse and Fort, St. Helen's Island with Montreal skyline in background; side view of Fort Sault St. Louis facing river; Fort Sault St. Louis; "Fort Sault St. Louis"; Old Time Houses at Oka"; a Christmas card labelled "Christmas Greetings 1932" published by the Rolland Paper Co. of Canada with a print enclosed on the inside page entitled "Village Street, Baie St. Paul".
Fonds consists of forty-six prints by Paul Caron, Dudley Ward and Topham depicting scenes of Montréal and Québec such as forts, towers, architectectural buildings, churches and landscape views; eight prints by Paul Caron and Topham depicting scenes of forts in Québec such as Fort Senneville; Blockhouse and Fort on St. Helen's Island; Fort Sault St. Louis; Fort Blunder and Pointe aux Trembles; four prints by Paul Caron depicting street scenes of Montreal entitled: "St. Maurice Street"; "The Old-Time Bookstore"; 18th Century Houses"; and "Houses of Two Centuries Ago".
Fonds consists of a watercolour by Paul Caron entitled "Grey Rocks"; watercolour by Bobs Cogill Haworth entitled "Brick Kilns, Don Valley"; two drawings by Arthur Lismer entitled "Bennetdiction", January 1935 and "Govt. of the People", April 1933; one drawing by Duncan Macpherson entitled "Greed for the Yankee Dollar will destroy us", which was a cover for Star Weekly Magazine, 1965; ink drawings by Paul Caron entitled "Chinese Quarter, Lagauchetière Street", Montreal, 1926 and "Old Shop, Place Viger", Montreal, 1926.
Fonds also consist of 19 illustrated letters written by Paul Caron to Peggy Nelson Dixon. The letters were written between April 1925 and July 1926, with a gap between November 1925 and the last letter. Caron and Dixon must have met when the latter visited Montreal. Caron discusses his working methods, mentions books that he is interested in, some exhibitions (RCA), dealing with Rouss & Mann, and some of his family problems. He illustrates the letters with thumbnail sketches of flowering plants, scenes from Bonsecours Market, and some portraits.
