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The Young Painter : [incomplete]

Numéro d'article (ISN) :

276006

Niveau hiérarchique :

Pièce (Niveau acquisition)

Date :

1922

Numéro d'article (ISN) :

276006

Lien aux ressources connexes :

Genre de documents :

Images en mouvement

Trouvé dans :

Archives / Films, vidéos et enregistrements sonores

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Notice descriptive – Détails

Fonds/collection :

GRAPHIC CONSULTANTS LTD.

No d'acquisition :

1972-0105

Support :

Film

Titre original :

The Young Painter

Partie :

3 of 4

Date de production :

1922

Date de diffusion :

1922-02-19

Compagnie de production :

Triart Productions Inc.

Générique (équipe de production) :

director, Herbert Blaché; producer, Isaac Wolper; photography, Ned Van Buren; art director, Lejaren à Hiller; continuity, Arthur Maude; titles, Helen Brodrick; series originator, Vera Royer

Générique (acteurs) :

Mary Astor, Pierre Gendron, Walter Petri, Margaret Foster, Knox Kincaid

Pays de production :

us

Distributeur d'origine :

W.W. Hodkinson Corporation

Description :

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A fictional story that could have inspired the painting "A Young Painter" formerly attributed to Rembrandt van Rijn (1606-1669). THE YOUNG PAINTER is set in the present. Roland West (Pierre Gendron) is a young painter living and working in a studio on Long Island while recovering from the effects of service in World War I. Before the narrative begins the film shows reproductions of two paintings. The first is of Rembrandt van Rijn’s "Self-Portrait at the Age of 34". The second is of a canvas then titled "A Young Painter" and is both the painting that the film’s title refers to, and the work that inspires the young painter in the film. He has even done a reproduction of it for himself. (At the time the film was made "A Young Painter" was attributed to Rembrandt and had been exhibited at the Metropolitan Museum of Art, New York, from 1909 to 1917. It is no longer considered to be a Rembrandt. In the present owner’s catalogue it is attributed to Samuel van Hoogstraten, a pupil of Rembrandt.) ~Roland meets Helen Seymour (Mary Astor), a local girl from a rich family, and agrees to give her sketching lessons. Charles Courtleigh, his closest friend, with whom he was first at Yale and then in the same army unit, arrives on the scene. Charles and Helen have been friends since childhood. The sketching lessons abruptly end and Roland, realizing his friend is in love with Helen, sends her a brief note of goodbye and disappears, secreting himself in a studio in New York’s Greenwich Village.~There he takes in a homeless street urchin, Billy. Charles promises Helen that he will find Roland but it takes him all winter. By spring, when he finds him, far from recovering, Roland has become much sicker from grief and a broken spirit. Charles takes Helen to him but it is too late to save him. Roland wishes the couple happiness, asks them not to forget Billy, and dies holding Helen in his arms. His death is signaled by the appearance of the ghost of Rembrandt. Roland rises from his bed, in double exposure, and is lead out of the frame by Rembrandt. <24mn>

Langue :

Silent with English intertitles

Remarques :

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1.The running time is an estimate based on the footage given in the 1930 Kodascope catalogue, calculated at 22 fps.~3. First released at the Rialto, New York City, with HER OWN MONEY starring Ethel Clayton.~4. Reviewed, New York Times, February 26, 1922, page 8, section 6; Moving Picture World, March 11, 1922, page 198.~5. Parts 2, 3, and 4 only of 4.~5. Herbert Blanch. died in 1953 - copyright expired.
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Conditions d'accès :

Libre

Restrictions sur la consultation :

~No Restrictions / Pas de restrictions

Restrictions du donateur :

The permission of Library and Archives Canada is required to reproduce this title.

État du droit d'auteur :

Copyright expired.

Reproduction :

with written permission of copyright owner : with permission of Library and Archives Canada

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Date de modification :: 2024-06-27