File containing: Jeanie with the Light Brown Hair, piano-vocal score (composed by Stephen Foster); Just a Corner of Heaven to Me, piano-vocal score (Karl Stark and James F. Hanley, words by Ballard Macdonald); Just a Little One Step, score for SATB vocal quartet or choir; Just Like a Doll, piano-vocal score (Sigmund Romberg, words by Cyrus Wood); Left-Left (My Sweetie Got Mad and She Left), piano-vocal score (Howard Johnson, Jack Waite, Sidney Holden); Let's Get Together, piano-vocal score (Geoffrey O'Hara, words by John W. Bratton); Like a Silver Star Ascending, piano-vocal score (Granville English, words by Fred. G. Bowles); The Little Hills are Calling, piano-vocal score (Edward Morris, words by Nancy Buckley); Little Lady Make Believe, vocal part; Little Mother, piano-vocal score with accompanying recitation (Erno Rapee, Lew Pollack); Lonely Hours, piano-vocal score (Granville English, words by Elizabeth Reynolds); Lonesome - A Song of Longing, piano-vocal score (Clara Edwards, words by Nelle Richmond Eberhart); Lord, I Want to Be, piano-vocal score (arranged by Stewart Wille); Lost Soul, piano-vocal score with accompanying recitation (Benée Russell); ; The Love Waltz, part for baritone voice (H. Maurice Jacquet); Love's Declaration, piano-vocal score (H.P. Wilson); Love's Greeting, baritone part from an arrangement for vocal trio (Edward Elgar) (manuscripts, 12 p.; copies, 3 p.; annotated print publication, 41 p.; other print publications, 12 p., with accompanying typescripts, 2 p.). Several piano-vocal scores contain signed dedications from the composer or arranger to Douglas Stanbury. Also included is Love, Could You Know, piano-vocal score with violin obbligato (Gertrude Cady, words by Martha Martin), with promotional text "Featured by Douglas Stanbury" on front cover (print publication, 8 p.).
