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Found in: Archives
Hierarchical level: Item (linked)
Source: Private
Type of material: Photographs
Showing 1 - 6 of 6 filtered results
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  3. 3
    No digital object

    Caven Atkins and Harold Ayres, who assisted Charles Comfort in painting the Stock Exchange Mural

    Archives / Collections and Fonds
    Item (linked)
    Photographs
    Item ID number:
    3337285
    Date:
    October 1937
    Source:
    Private
    Reference:
    Box number: 7319
    Caven Atkins and Harold Ayres, who assisted Charles Comfort in painting the Stock Exchange Mural. The black-and-white transparencies in this accession are 
  4. 4
    No digital object

    Stock Exchange Murals: Comfort and Ayres on "Engineering and Construction". Atkins on "Communications"

    Archives / Collections and Fonds
    Item (linked)
    Photographs
    Item ID number:
    3337276
    Date:
    February 1937
    Source:
    Private
    Reference:
    Box number: 7319
    Stock Exchange Murals: Comfort and Ayres on "Engineering and Construction". Atkins on "Communications". The black-and-white transparencies in this accession 
  5. 5
    No digital object

    Toronto Stock Exchange murals being painted. Panels seen from left to right with Caven Atkins on scaffolding: Communication, Lumbering, Engineering and Construction, and Agriculture

    Archives / Collections and Fonds
    Item (linked)
    Photographs
    Item ID number:
    3337274
    Date:
    Jan. or Feb. 1937
    Source:
    Private
    Reference:
    Box number: 7319
    ... Atkins on scaffolding: Communication, Lumbering, Engineering and Construction, and Agriculture. The black-and-white transparencies in this accession are 
  6. 6
    No digital object

    Caven Atkins outlining the pounced drawing of the Paris Exposition International mural

    Archives / Collections and Fonds
    Item (linked)
    Photographs
    Item ID number:
    3337279
    Date:
    September 1936
    Source:
    Private
    Reference:
    Box number: 7319
    Caven Atkins outlining the pounced drawing of the Paris Exposition International mural. The black-and-white transparencies in this accession are copies of 
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